权威例句
Oak Leaves and Lavender (1946): an Oleograph of World War IIDUCHESS DELIGHT; 1) Baldaquin Frame Bed, ?220, ?120 for Drapes, WWW.Notonthehightstreet.Com 2) Georgiana Oleograph Print, ?30, Chats...Moral Topophilia: The Significations of Landscape in Indian OleographsThe Iconology of Hindu Oleographs: Linear and Mythic Narrative in Popular Indian Art'Ravi Varma Not a Calendar Artist': Art Promoter Exhibits 200 Oleographs of Raja Ravi Varma at a Bank in VadodaraView of Bridgeport, Ct. 1875.City of Taunton, Mass. 1875.Birds eye view of Syracuse, New York : 1874 /Indigenous Tradition, Reproductive Modernity:The Haveli Murals, Popular Art and Marwari Identity in Colonial India「土着の伝統」と「複製の近代」:―ハヴェーリー壁画にみる英領インド期の大衆美術とマールワーリー・アイデンティティ―