筛选结果 共找出314
24.Glasgow is mentioned in Paragraph 3 to present
[A]a contrasting case.
[B]a supporting example.
[C]a background story.
[D]a related topic.
25.What is the author’s attitude towards the proposal?
[A]Skeptical.
[B]Objective.
[C]Favourable.
[D]Critical.
26. Scientific publishing is seen as “a licence to print money” partly because
[A] its funding has enjoyed a steady increase.
[B] its marketing strategy has been successful.
[C] its payment for peer review is reduced.
[D] its content acquisition costs nothing.
27. According to Paragraphs 2 and 3, scientific publishers Elsevier have
[A] thrived mainly on university libraries.
[B] gone through an existential crisis.
[C] revived the publishing industry.
[D] financed researchers generously.
28. How does the author feel about the success of Sci-Hub?
[A] Relieved.
[B] Puzzled.
[C] Concerned.
[D] Encouraged.
21. It is indicated in Paragraphs 1 and 2 that
[A] arts criticism has disappeared from big-city newspapers
[B] English-language newspapers used to carry more arts reviews
[C] high-quality newspapers retain a large body of readers
[D] young readers doubt the suitability of criticism on dailies
22. Newspaper reviews in England before World War II were characterized by
[A] free themes
[B] casual style
[C] elaborate layout
[D] radical viewpoints
23. Which of the following would Shaw and Newman most probably agree on?
[A] It is writers’ duty to fulfill journalistic goals.
[B] It is contemptible for writers to be journalists.
[C] Writers are likely to be tempted into journalism.
[D] Not all writers are capable of journalistic writing.
24. What can be learned about Cardus according to the last two paragraphs?
[A] His music criticism may not appeal to readers today.
[B] His reputation as a music critic has long been in dispute.
[C] His style caters largely to modern specialists.
[D] His writings fail to follow the amateur tradition.
25. What would be the best title for the text?
[A] Newspapers of the Good Old Days
[B] The Lost Horizon in Newspapers
[C] Mournful Decline of Journalism
[D] Prominent Critics in Memory